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A Designer Revolution

China has an appetite for design – just not its own. The market for interior furnishings is expanding, along with the country’s middle class, but new consumers have tended to favour products imported from the west.

Though the country is home to tens of thousands of design students graduating each year, few will get to show their work to a large audience. If they do gain recognition, it is almost always abroad. Design curators in Europe and the US are picking up on the younger generation’s adept translation of traditional crafts but will China ever show enough interest in its own designers to help them succeed at home?

Read the rest of the article at Financial Times

China’s Industrial Design Sector Continues its Rise in the Wake of Rapid Economic Growth

WHILE STILL in its infancy compared to China’s more developed sectors, industrial design (ID) is forging ahead to meet the demands of increasingly sophisticated consumers. According to Nunzia Carbone, founder and president at Shanghai-based design firm DEDODESIGN, “It is still a new discipline in China, but things are changing quickly. Young, talented designers are emerging, and China is perceived less and less as solely ‘the factory of the world’.”

A deeper appreciation of aesthetics tends to be a corollary to a country’s economic development. As Charles Ingrey-Senn, founder of Cais Design Associates in Hangzhou, says, “The economy in China is growing at a frantic pace, and with this growth there is a demand for ID.”

Read the full article at IDC

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Saudi Royals Take Interest In Chinese Design

As Chinese designers struggle to gain credibility in both their domestic and global fashion industries, one high-profile buyer has taken interest: a member of the Saudi royal family.

According to a recent China Daily report, a Saudi princess has ordered a dress from Chinese designer NE·TIGER after seeing one of the label’s designs in an exhibition in Riyadh in April. The made-to-measure luxury gown will reportedly be blue “with golden dragon embroidery,” and will be constructed by three designers sent to Riyadh.

Read the full article at Jing Daily

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Beijing or Shanghai as Brand Headquarters?

Retail brands need to consider carefully whether to establish their China headquarters in Shanghai or Beijing. The majority of fashion brands has opted for Shanghai in the past, but Beijing, the capital city, has a lot to offer too. In fact, Beijing might even make more sense to certain brands. Why? Let’s take a look at some of the characteristics of these two Chinese metropolises.

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Aga Khan Award: China Makes Shortlist

The Museum of Handcraft Paper is among the top 20 nominees of the 2013 international Aga Khan Award, which presents a one million USD prize for first place.

The Aga Khan Award for architectural design recently announced its 2013 shortlist of nominees, with China’s Museum of Handcraft Paper in Yunnan province as the only East Asian country represented in the final top 20 candidates. We actually reported on the completion of this project in an architectural roundup earlier this year.

Read the rest of the article at CreativeHunt

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China’s Up-And-Coming Industrial Designers & Architects

While news of China’s luxury and fashion markets — and their consumers — often make for attractive headlines, one story often lost in the mix is the Chinese creatives powering the country’s burgeoning design industry. Here, we present a “mini-haul” of some of the most interesting industrial designers and architects that have caught — and continue to catch — our eye.

Read the rest of the article at Jing Daily

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Scalable Innovation In China: Automakers’ Next Step?

In China, a significant evolution is taking place in industrial design, carmakers included. Many industry leaders point to the growing trend of leveraging the China car market as a creative base, not only to more effectively target mainland buyers but to export China-led designs under non-Chinese brands.

Read the rest of the article at Jing Daily

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Chery’s New Logo Defines New Brand Philosophy

Chery has had a branding disaster over the past few years, in 2009 they unveiled their new sub brands Riich and Reely. Riich was aimed at the upper end of the market and Reely was to focus on MPV’s and SUV’s, on paper it sounded like a fantastic idea – a third brand, Karry, was also introduced to sell low end high volume MPV’s and commercial vehicles. Out of the three only Karry seems to have registered any sales with Riich and Reely being docked from Chery’s tickets.

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10 Things to Consider When Bringing a New Brand to China

China is a place where quick money can be made: this is one of the misperceptions many brands have before coming to China. In fact, there are many crucial factors to consider first when planning a brand expansion. Some of these things to consider we have listed here.

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Will We Ever See Another Four Great Inventions from China?

China’s Four Great Inventions—papermaking, the compass, gunpowder, and printing—were innovations from bygone eras. When looking at China’s history over the past 50 years, it’s very difficult to find a single innovation that has made a significant impact on the world. Instead, the “Chinese version of something Western” phenomenon has characterized much of China’s recent product launches. For example, there is Taobao.com, which is essentially the Chinese version of eBay. Whether China can shed its copycat reputation and become a source of global innovation has become a constant source of debate. While the country’s economy has been growing at an astonishing rate, with an increasingly sophisticated domestic market, the country’s highly centralized government and weak intellectual property system have severely hampered China’s standing as a global innovator.

Read the full article at Design Mind

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“WHAT’S NEXT FOR CHINA?”

China is on track to getting richer, and discretionary spending will continue to skyrocket. The country’s GDP is currently around $6 trillion. Within the next 7 years, McKinsey & Co. suspects it will reach $11 trillion or – as they say – the equivalent of two Germanys.

As people get wealthier, discretionary spending increases. Service-related industries are expected to benefit the most. In particular, “sectors such as leisure (defined as movie, theater, and coffeehouses), travel, and beauty products and beauty treatments are all likely to see brisk growth.” McKinsey projects recreation and education-related spending, which is now greater than $160 billion annually, will increase 12 percent a year.

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Meet Alex Lim

Alex Lim’s career spans over 18 years across Singapore and China. He was ranked Asia’s Top 10 Creatives by Media and voted one of the 20 Hottest Creatives in the region by Campaign Brief Asia 2003.

Alex had stints at Wunderman, BBH, BBDO, Leo Burnett and has won over 100 major awards including The D&AD, One Show, Cannes Lions, Clio, ADC, New York Festivals, Spikes, London International and AdFest.

Some of Alex’s works include The Levi’s 501 Re-cut for women where it made the No.1 Gunn Report and Pizza Hut home delivery campaign where it was the 8th most awarded in the world.

Alex is currently the creative lead for EnergyBBDO in China where it first opened its doors to Asia in 2011. Operating as an Asian Hub for the SC Johnson brands across China and 12 other markets, concurrently looking after China’s Pepsi Co. brands like 7-up, Mountain Dew and Mirinda.
Via www.dandad.org

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Meet Le Guo

Le Guo was born in China. He received a BA in Fine Art in China and a MA in Fine Art at the Central Saint Martins.  He has had solo exhibitions at the Barbican Centre, the Zelda Cheatle Gallery, no format Gallery and China Art Cultural Centre. His works have also been exhibited as part of the Salon Art Prize Matt Roberts Arts, The Rag Factory, Greenwich Heritage Centre and at The Portman Gallery. His work has been selected for a series of commission and publications on an international scale.
As his stated:

‘my life and art practice inhabits the dichotomous worlds of conflict and balance, proposing solutions within flux, generating fluidity within the fragmented mind. I conjure a sense of an internal, intuitive, shifting reality attempting to respond to a physical world. I have a desire to narrate, but am unable to form a story’. http://www.leguo.co.uk/

Via showstudio.com

China’s Most Innovative Companies

Congratulations to Shanghai’s very own Xindanwei, recently voted one of China’s top ten most innovative companies by branding, tech and design mag, FastCompany.com as part of their annual Top 50.

The list, compiled by the online publication’s editorial team, praises the creative co-working hub for its community of freelancers and emphasis on exchange:

Its aim is to expand the possibilities for not only where designers, programmers, and artists can work, but also how they can work together“.

All in all it makes for an interesting list, with the likes of Tencent (the brains behind the phenomenally successful WeiXin) and dating website Jiayuan.com also making an appearance.

There’s a pleasing number of green tech companies on this year’s run-down – namely Landwasher, the folks behind an environmentally friendly, water-free flush toilet designed for communities in need across the world; and Trina Solar for easy-to-install, low-cost solar paneling.

FastCompany love their lists, and in addition to the China and global low-down, they’ve also compiled top-tens by industry. Wang Shu of Hangzhou-based Amateur Architecture featured in that one – last year he picked up the Pritzker Prize and made the list for “rebelling against the westernization of modern China [and] advocating use of inexpensive materials like recycled bricks and tiles from renovated sites“.

To Style, now, where Qingdao-born Huishan Zhang features for “[redefining] the connotations of “Made in China“. He’s definitely one to watch, and just this week, Womens Wear Daily declared his London Fashion Week show “among the strongest outings so far in London this season“. More on his newest collection here.

Via CreativeHunt

“Haier has all the potential to be as well-regarded as LG or Samsung, and in purporting to support the creative industries in China the design press is doing Chinese industrial design a disservice by focusing largely on the kind of art and craft design that is interesting to the few rather than some fantastic consumer product design that will appeal to the many. Perhaps it is time we shift our thinking away from the individual towards the wider design community, and broaden our understanding of Chinese design.”

Read the full article at Core77